![]() “In the Line of Fire” was a major hit, grossing $177 million worldwide and landing three Oscar nominations. Play over 265 million tracks for free on SoundCloud. Eastwood met with Petersen, checked out his work and gave him the job. (AP Photo/Katsumi Kasahara, File) NEW YORK (AP) Wolfgang Petersen, the German filmmaker whose World War II submarine epic Das Boot propelled him into a blockbuster Hollywood career that included the films In the Line of Fire, Air Force One and The Perfect Storm, has died. Stream Noisecontrollers X Atmozfears X B - Front - Das Boot (Radio Edit) by B-Front on desktop and mobile. Seeking a director for the film, Eastwood thought of Petersen, with whom he had chatted a few years earlier at a dinner party given by Arnold Schwarzenegger. In it, Petersen marshalled his substantial skill in building suspense for a more open-air but just as taut thriller that careened across rooftops and past Washington D.C. “Das Boot” launched Petersen as a filmmaker in Hollywood, where he became one of the top makers of cataclysmic action adventures in films spanning war (2004's "Troy," with Brad Pitt), pandemic (the 1995 ebolavirus-inspired "Outbreak") and other ocean-set disasters (2000's “The Perfect Storm" and 2006's “Poseidon," a remake of “The Poseidon Adventure,” about the capsizing of an ocean liner).īut Petersen’s first foray in American moviemaking was child fantasy: the enchanting 1984 film “The NeverEnding Story.” Adapted from Michael Ende’s novel, “The NeverEnding Story” was about a magical book that transports its young reader into the world of Fantasia, where a dark force known as the Nothing rampages.Īrguably Petersen’s finest Hollywood film came almost a decade later in 1993’s “In the Line of Fire,” starring Clint Eastwood as a Secret Service agent protecting the president of the United States from John Malkovich’s assassin. We all lived for American movies, and by the time I was 11 I’d decided I wanted to be a filmmaker." “We kids were looking for more glamorous dreams than rebuilding a destroyed country though, so we were really ready for it when American pop culture came to Germany. “In school they never talked about the time of Hitler - they just blocked it out of their minds and concentrated on rebuilding Germany,” Petersen told The Los Angeles Times in 1993. ![]() In the confusion of postwar Germany, Petersen - who started out in theater before attending Berlin’s Film and Television Academy in the late 1960s - gravitated toward Hollywood films with clear clashes of good and evil. Petersen, born in 1941, recalled as a child running alongside American ships as they threw down food. ![]()
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